Wednesday, 16 December 2009

Forms and Conventions of music videos - notes

  • there is a relationship between the lyrics and the visual with the visuals either illustrating, amplifying or contradicting the lyrics.
  • there is a relationship between the music and the visuals. This can be seen in terms of the editing mimicking the movements within the frame, through the genre or even camera movement
  • particular music genre have their own music style and iconography
  • there is a demand on the part of the record company producing the video for shots of the main artist
  • stars of the video can develop their own iconography
  • various different screens and intertextual references are included throughout videos
Lyrics
  • the lyrics tend to establish a general feeling or mood or a sense of subject matter rather than offering a coherent meaning
  • the words can sometimes sound onomatopoeic
  • rarely will a music video present the lyrics wholesale
  • the lyrics can make use of the tempo of the track to drive the editing
  • the lyrics may emphasise particular sounds of the track by foregrounding particular instruments

Genre

  • the genre needs to be clear of distinct features of music e.g. mise-en-scene, themes, performance, editing styles and camera work

Camera work

  • how the camera is used and how images are sequenced has a significant impact on the meaning
  • camera movements may acompany the performers which can be used to create a more dynamic affect (circling the performers)
  • close ups predominate which creates a sense of intimacy and showcases the star

Editing

  • the most common for music videos is fast cut montage. This is where you see different things on different viewings which assures multiple viewings.
  • the editing establishes the mood
  • is sometimes enhanced with digital effect
  • in terms of the narrative, the editing is rarely complete. Fragmentary like poems is true with music promos which tend to suggest story lines
  • the editing offers complex fragments in a non-linear order
  • the editing is often cut between a performance (live) and a narrative. Sometimes the artist may be involved in the performance acting as the narrator and participant, allowing a more varied access.

Conventions according to genre


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